Minggu, 31 Juli 2011

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I Hate the Internet, by Jarett Kobek

What if you told the truth and the whole world heard you? What if you lived in a country swamped with Internet outrage? What if you were a woman in a society that hated women?

Set in the San Francisco of 2013, I Hate the Internet offers a hilarious and obscene portrayal of life amongst the victims of the digital boom. As billions of tweets fuel the city's gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable.�

In this, his first full-length novel, Jarett Kobek tackles the pressing questions of our moment. Why do we applaud the enrichment of CEOs at the expense of the weak and the powerless? Why are we giving away our intellectual property? Why is activism in the 21st Century nothing more than a series of morality lectures typed into devices built by slaves?�

Here, at last, comes an explanation of the Internet in the crudest possible terms.

  • Sales Rank: #130752 in Books
  • Published on: 2016-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Review
Could we have an American Houellebecq? Jarett Kobek might come close, in the fervor of his assault on sacred cows of our own secretly-Victorian era, even if some of his implicit politics may be the exact reverse of the Frenchman's. I just got an early copy of his newest, I Hate The Internet and devoured it - he's as riotous as Houellebecq, and you don't need a translator, only fireproof gloves for turning the pages. -- Jonathan Lethem, The Scofield

This is a relentless, cruel, hilariously inflamed satire of a loop of economic mystification and the reemergence of the credibility of the notion of Original Sin in the technological utopia of the present-day Bay Area and the world being remade in its image. -Greil Marcus, Pitchfork

I Hate the Internet may have answered one very important question for me: why I often feel so sick after I've logged in. -Fiona Helmsley, Vol 1 Brooklyn

"Like a mad priest presiding over the death of our disposable culture, Kobek has delivered a fitting eulogy for the digital age." --Zyzzyva

A grainy political and cultural rant, a sustained shriek about power and morality in a new global era. It's a glimpse at a lively mind at full boil... [An] entertaining novel of ideas... This book has soul as well as nerve. It suggests that, as the author writes, 'the whole world was on a script of loss and people only received their pages moments before they read their lines.' -- Dwight Garner, The New York Times

"A riproaring, form-follows-function burlesque of the digital age that click-meanders its way like the ADHD freaks we're all becoming, while offering up compelling narrative lines that kept me clicking faster and faster. Read this book. Now." -- Dodie Bellamy, The Letters of Mina Harker

"Kobek's writing continues to impress." -- Chris Kraus, I Love Dick

About the Author
Jarett Kobek is a Turkish-American writer living in California. His novella ATTA has appeared in Spanish translation, been the subject of much academic writing and was a recent bestseller in parts of Canada. He writes regularly for museums and galleries, with his essays appearing under the auspices of Frieze, the Hammer Museum and White Cube.

Most helpful customer reviews

15 of 17 people found the following review helpful.
How does this--the funniest angriest most entertaining book I've read ...
By Bobo
How does this--the funniest angriest most entertaining book I've read in ages--only have two reviews? Everyone needs to read this book. Right now.

16 of 19 people found the following review helpful.
A biting and funny expose
By Amazon Customer
This book is like nothing you've read before. It's funny, irreverent, surprising and amazingly intelligent. You'll recognize and enjoy these characters and feel for the injustices they endure. As he shows us the challenges of their lives, Kobek exposes the hidden agendas of exploitation and power that have brought our culture to such a low that we have Donald Trump in our faces every day. At the same time, Kobek's writing is rich, with such insights as " The whole world was on a script of loss and people only received their pages moments before they read their lines." This novel speaks to all of us, and we learn as much as we enjoy.

5 of 5 people found the following review helpful.
I love I Hate The Internet
By Amazon Customer
I HATE THE INTERNET is a damned funny story that bobs and weaves while shaking a fist at the world at large. Part polemic, part satire, part friendship story, and seriously hilarious, I HATE THE INTERNET had me laughing out loud on the subway, and not caring at all who stared.

The plot is woven in and out of the book, between various asides and refrains, in a way that feels somewhat like clicking through interconnected articles on Wikipedia. There are many brief encyclopedic entries on things ranging from the history of Marvel comic books to the founding of Facebook. I was impressed by Kobek's ability to loop back to the main plot without me having gotten annoyed at all by the many digressions.

The narration is delivered in a straightforward, deadpan, and ironic style that is reminiscent of Kurt Vonnegut. Kobek slings his contemptuous gaze at our complete obsession with the internet and no one comes away unscathed. I HATE THE INTERNET voices many of the truths no one is saying about our unhealthy relationship with technology and, even though the truth hurts, it’s funny because it’s true. In a way, I HATE THE INTERNET can almost be read as a love note to the Internet that might have been, if we hadn't all ruined it. This is why we can't have nice things.

I personally love this book and want all of my friends to read it so we can talk about it. Kobek's biting commentary on, well, everything will be popular with anyone who finds themselves increasingly frustrated with the state of the world. For fans of humor and very sharp, complex social satire.

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Eastern Fortress: A Military History of Hong Kong, 1840-1970

  • Published on: 1656
  • Binding: Paperback

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Jumat, 22 Juli 2011

[J238.Ebook] PDF Download The Civilized Couple's Guide to Extramarital Adventure, by Albert Ellis

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The Civilized Couple's Guide to Extramarital Adventure, by Albert Ellis

  • Sales Rank: #3922912 in Books
  • Published on: 1973-10
  • Original language: English
  • Binding: Mass Market Paperback

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Jumat, 15 Juli 2011

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How to Grow an Addict: A Novel, by J.A. Wright

HOW TO GROW AN ADDICT, a novel � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ��AWARDS:�2016 International Book Awards - Winner in Addiction & Recovery2016 NIEA Awards - Winner in Addiction & Recovery
2016 Independent Publisher Book Awards (IPPY) - Bronze Medal Literary Fiction�
2016 Reader's Favorite Book Awards - Silver Medal General Fiction
2015 INDIEFAB Book of the Year Awards - Honorable Mention General Fiction
2016 Kindle Book Awards - semi-finalist Literary Fiction
2015 USA Best Book Awards - Finalist General Fiction � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ��Randall Grange has been tricked into admitting herself into a treatment center and she doesn't know why. She's not a party hound like the others in her therapy group―but then again, she knows she can't live without pills or booze.

Raised by an abusive father, a detached mother, and a loving aunt and uncle, Randall both loves and hates her life. She's awkward and a misfit. Her parents introduced her to alcohol and tranquilizers at a young age, ensuring that her teenage years would be full of bad choices, and by the time she's twenty-three years old, she's a full-blown drug addict, well acquainted with the miraculous power chemicals have to cure just about any problem she could possibly have―and she's in more trouble than she's ever known was possible.

  • Sales Rank: #635439 in Books
  • Brand: She Writes PR
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 300 pages

Review
"Raw, honest, fascinating insight into the growing-up years of a girl raised by what might be an ordinary family with ordinary flaws, and the extraordinary effects their lives have on her. J.A. Wright makes Randall so real, you want to go round and pick her up, make her a decent meal and tell her she's going to be okay."
- Michele A'Court, columnist at The Press, New Zealand Comedy Guild's�
Comedienne of the Decade 2010 and author of Stuff I Forgot to Tell my Daughter�

"J. A. Wright's book is a compelling illustration of what fertile ground families are for nurturing addiction. It's not all doom and�gloom�however - the story is told in a clear-eyed, unsentimental voice which, for me, made it utterly convincing. It's captivating, heartrending and uplifting."
- Morrin Rout,�Former Literary Director of Chch Writers' Festival, Director of Hagley Writers' Institute

Portland Book Review - Feb 2016The review for How to Grow an Addict received 5 stars.

"J.A. Wright's How to Grow an Addict�is a novelization about Randall, a young girl who is trying to navigate the testy waters of her family life and come out unscathed despite growing up in a house full of addicts and abusers. It reads like a memoir, a sort of "come clean" string of consciousness that chronicles her rise (or rather, fall) from a young girl to a young woman.
The novel is literally what the title implies, a sort of explanation of a series of factors both genetic and environmental that lead to the rise of a small, precocious, and anxious child becoming a full blown addict. Randall has an abusive father and a mother who has a hard time defending her as it is clear that she's terrified of losing him (going so far as to get breast implants in a failed attempt to stop him from sleeping around). He behaves like he hates Randall, and she chews her fingernails to nubs as a result - and has a hard time functioning in a normal world without fidgeting.
Randall is immensely likable, and though the reader begins to see her make a series of missteps as she gets older in an attempt to seek out love in "all the wrong places," the novel never takes on a judgmental tone. Randall is just a girl who's trying to navigate a very difficult situation that gets increasingly more difficult as life takes away some of her fiercest protectors and supporters. She is selfish, but only in a way that an addict is - someone who cannot see past their impulsive decisions into what the consequences may mean. It doesn't matter to her as she's just trying to get by in the only way she knows how. Her family resembles a million families, and some readers might even see some parallels between her family and their own in an alcoholic, abusive father who prioritizes a son above a daughter and creates another monster in the process; her brother who comes to hate her and lack empathy as much as her father does; her mother who is not perfect, but sad and unable to manage an angry and abusive husband, and who turns to anti-anxiety pills and alcohol as a way to cope.
The novel ends with Randall beginning to accept help from those who have to foist it onto her and ends with an uplifting message: people can make a choice to recover and do the right thing. There may be mistakes and trip-ups in the process, but it's a process worth doing. This is a great book, and even if readers don't have first-hand experience with addicts or dysfunctional families, Randall feels real-life enough to turn to when it comes to trying to deal with real-life addiction. Readers should definitely give this one a shot."- Portland Book Review

“Wright deftly and insightfully describes how a life can spiral toward addiction and rehab. The story is raw and touching and I found myself rooting for Randall as she navigates redemption and sobriety. A gritty and honest read.”

—Susie Orman Schnall, award-winning author of On Grace and The Balance Project


“Wright dares to stomp where others only lightly tread, and does so with grace, craft, and an unusual ease. This is not a sob story about abuse, damage, and addiction, it’s a story of how bravery, self-recognition, and the desire for happiness slap the former in the face and gleam with hope. A great read and lesson for anyone who’s been there, hopes to get elsewhere, or simply needs to read a story that resonates.”

—Maria Kostaki, author of Pieces: A Novel

About the Author
J.A. Wright was raised in the Pacific Northwest and moved to New Zealand in 1990. She is the founder and director of the World Buskers Festival (1994–2014), and the New Zealand Jazz and Blues Festival (1997–present). With more than thirty years in recovery from drug addiction, she’s been crafting this novel for years.

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3 of 3 people found the following review helpful.
I was fortunate to get an early copy of J
By Charrette van Eekelen
I was fortunate to get an early copy of J.A. Wright’s novel, “ How to Grow an Addict”. The title grabbed me and the writing kept me reading. I didn’t want to put it down. It’s beautifully and descriptively written. The main character, Randall Grange is an intensely loveable girl, often in frighteningly circumstances, due to drugs and alcohol. The author engages the reader at depicting a believable progression of addiction.

Randall has meaningful loving relationships with her Aunt Flo and Uncle Hank , and horrid ones with her brother and father, as well as other men in her life. Some scenes are heart-breaking to read, and yet when she gets to rehab, she writes and is away from her crazy life, a calmness comes. I was relieved her life found new meaning as we moved through the story.

I miss Randall. I didn't want the book to end. As Wright makes very clear, at times with humour and at other times, in a very frank manner, that addiction starts one day at a time and so can recovery, and that life can change from a nightmare to one with endless possibilities.

1 of 1 people found the following review helpful.
The seeds of addiction are planted early
By Connie Mayo
How does a seven year old take the first step, and the next, on the path to drug and alcohol abuse? Randall Grange will tell you in her raw and authentic voice. Author J.A. Wright, with her 30 years of recovery under her belt, has the street cred to write this novel, and that makes it all the harder to witness the situations her protagonist faces - being handed tranquilizers by her mother, learning the hair-of-the-dog hangover cure from her father, tolerating sexual abuse from a boyfriend that supplies her pills. But that street cred also makes it compulsive read, the kind where you plan to stop at the end of the next chapter and then find yourself continuing on. How To Grow an Addict delivers on the promise of its title, telling us all the things that should never happen to a child.

2 of 2 people found the following review helpful.
naive and doesn't understand adult situations like alcoholism and family struggles in general
By Debi @2014 & Beyond
My road to recovery did not resemble the walk of the main character of this book, a young girl named Randall Grange. How to Grow an Addict starts out with the main character entering rehab and being asked by her counselor what 'three things' led her to become an addict. As the title suggests, the book then begins to share the story of Randall's growing up and basically shares with readers exactly what caused Randall to be an addict, and ultimately, we go back to get a glimpse of the beginnings of her recovery as well.

The author succeeds at sharing the voice of a child with much more honesty than expected. Randall is young, naive and doesn't understand adult situations like alcoholism and family struggles in general. She is desperate to be noticed and to be loved by her father and tries so hard to please him. At the same time, she feels feelings of hatred for him for his actions. She blames herself for the death of an uncle by marriage, only to discover many years later that he had a heart attack and his death was of no cause of hers. With no one explaining life to her, how could Randall think anything other than what her childish mind could imagine.

While her father is an alcoholic, Randall's mother is also emotionally unavailable and is very fond of various pills to help her sleep and/or forget the pain of her own life. Randall learns early on that those pills will help her erase the pictures in her mind and she helps herself to her mother's pills with no consequences, thus entering into the beginning stages of her drug addiction. Randall's brother can do no wrong in everyone's eyes, except for the fact that no one sees him becoming exactly like his father, with a very mean spirit.

We learn of Randall's bad choices and her dependency on men for love, and we read on as we watch her grow into a young woman who uses her body in exchange for pills. It was very realistic and painful and I could identify with portions of the story pertaining to the lack of self worth while I not in recovery too.

I really felt that author did a great job with the characters and that they were very well written. They could actually be real people I that I have known or could know. It's not one of those "happily ever after" books, but it mixes great humor and honesty while sharing a very powerful portrayal of a dysfunctional family and one woman's harrowing journey through childhood and into rehab.

I'm not sure if it's because I'm farther and farther away from my last drink/drug, or if I'm just a prude, but I did feel that the language and sexual content when Randall's addiction were in full force were a little too much for my liking. Overall, the book had a great story and a quick read, but I do think the book would have been just as good without being so explicit. That's just my opinion.

I received a complimentary paperback copy of this book from the publishers and BookSparks in exchange for this post, which is my honest review and unbiased opinion.

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Kamis, 14 Juli 2011

[N874.Ebook] PDF Download The Lost Continent: Travels in Small-Town America, by Bill Bryson

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The Lost Continent: Travels in Small-Town America, by Bill Bryson

An unsparing and hilarious account of one man's rediscovery of America and his search for the perfect small town.

  • Sales Rank: #38896 in Books
  • Color: Multicolor
  • Brand: William Morrow Paperbacks
  • Published on: 2001-05-15
  • Released on: 2001-05-15
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .72" w x 5.31" l, .54 pounds
  • Binding: Paperback
  • 320 pages
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Amazon.com Review
A travelogue by Bill Bryson is as close to a sure thing as funny books get. The Lost Continent is no exception. Following an urge to rediscover his youth (he should know better), the author leaves his native Des Moines, Iowa, in a journey that takes him across 38 states. Lucky for us, he brought a notebook.

With a razor wit and a kind heart, Bryson serves up a colorful tale of boredom, kitsch, and beauty when you least expect it. Gentler elements aside, The Lost Continent is an amusing book. Here's Bryson on the women of his native state: "I will say this, however--and it's a strange, strange thing--the teenaged daughters of these fat women are always utterly delectable ... I don't know what it is that happens to them, but it must be awful to marry one of those nubile cuties knowing that there is a time bomb ticking away in her that will at some unknown date make her bloat out into something huge and grotesque, presumably all of a sudden and without much notice, like a self-inflating raft from which the pin has been yanked."

Yes, Bill, but be honest: what do you really think?

From Publishers Weekly
Journalist Bryson decided to relive the dreary vacation car trips of his American childhood. Starting out at his mother's house in Des Moines, Iowa, he motors through 38 states over the course of two months, looking for the quintessential American small town. "Some of Bryson's comments are hilarious--if you enjoy the nonstop whining wisecracks of a 36-year-old kid," determined PW.
Copyright 1990 Reed Business Information, Inc.

From Library Journal
An expatriate American now living in England chronicles a trip around the United States in which he describes American foibles to the British. The first two chapters capture the tedium of a family vacation and the daffy absurdity of life in the author's home state of Iowa. Midwesterners will grab friends to read choice bits, saying "see." But after these wonderful opening chapters, the author's comic tricks become repetitive: "then I said this outrageous thing; no, not really, but . . . . " While the sometimes irrelevant statistics are interesting, they, too eventually become tedious. As the book grinds on, it descends into a litany of "then I went here, and next I went there." Browsers reading the opening bits will snatch it off the shelves, but many will return it unfinished. ($100,000 promotion; 50,000 copy first printing).
- Nora Rawlinson, "Library Journal"
Copyright 1989 Reed Business Information, Inc.

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198 of 217 people found the following review helpful.
Wicked humour
By Mike Christie
Bryson was born in Des Moines, and moved to England in his early twenties, marrying and settling down there. This book documents a trip by car around America, starting and ending in Des Moines, after many years in the UK. The ostensible theme of the book is a search for the perfect small town; a sort of Ray Bradbury idealization of fifties America. There's no such town, of course, but Bryson just uses the theme as a springboard for some of the funniest descriptions, stories, and digressions I have ever read.
When I started reading this book, I laughed so much my wife wouldn't let me read it in bed. Then she picked it up and discovered how funny it was, and wanted to read it before me. Eventually we compromised, and kept it in the car; the rule was that whoever was driving had to read it to the driver. Several times, however, the reader was laughing so hard that they couldn't get comprehensible words out, and the driver had to pull over to the hard shoulder and grab the book for themselves.
Yes, he's a curmudgeon, as other reviewers here have noticed. That's just his style. He's not deep, either; his occasional ruminations aren't negligible, but he's no Mark Twain. But he has an acidly sharp eye for inanity and stupidity, and his anecdotal technique is flawless.
His other travel books are along much the same lines, but to me this is the funniest, though "A Walk in the Woods" does show he is capable of good introspective writing. "The Lost Continent" is sharp, satirical, acute, and unkind--wickedly funny in every sense of the word.

235 of 264 people found the following review helpful.
Depressing and repetitive. Move on to his other works
By Ameri-Aussie
I had high hopes for this book since I thoroughly enjoyed and laughed out loud while reading Bryson's 'In a Sunburned Country'. I was more than a little disappointed after finished `Lost Continent' I came away feeling more than a little disappointed.

Before I bought this book I was puzzled at the contrasting reviews here and I initially took the most of the negative reviews with a grain of salt. I figured these were written by people who mostly just took offense way too easily and were unable to laugh at themselves as Americans. I have to say though, after reading the book I find myself agreeing with some of the negative reviews of this book.

First off, as an American that has lived overseas for 3 years now, I feel I'm more than capable of looking at America with an objective eye. I'm completely aware of America's many shortcomings - ie. the propensity for urban sprawl, the seemingly declining interest in it's rich history, the ever growing dependence on technology and increasing laziness that invariably comes with it etc. etc.

Having said that, I still regard this book primarily as just one endless, tiring, repetitive rant by an unhappy man. One would be hard pressed to find more than a couple instances where Bryson spent more than three of four sentences at a time describing anything he found ENJOYABLE. As one reviewer pointed out, Bryson comes across as being exactly like the kind of people he constantly complains about in this book...rude, ignorant, and, just like Bryson himself, overweight (apparently he hasn't stepped in front of a mirror lately). One has to wonder why someone would put out a book that is so consistently sour in tone. If I had just finished such a thoroughly unsatisfying and unhappy trek as this, I would be hard pressed to come up with a good reason (other than a quick buck perhaps) to actually write a book about it. Let me get one thing straight, if this were a book about Canada or anywhere else outside the U.S. I would feel the same way. Yes, there are a few funny passages in his book, but his air of superiority along with the overuse of metaphors pretty much dampen it at times. As demonstrated in `In a Sunburned Country', his strength lies in sharing facts and history of the places he finds himself in, and the humor is always much more engaging when it isn't over the top and written as if he's trying to impress himself.

There was a span of about 12 years between the writing of `Lost Continent' and `In a Sunburned Country', and it shows. This is a younger Bryson, a man who seems to have a problem with every little detail, and it becomes increasingly tedious and irritating as the book goes on. He rarely displays anything other than contempt for the places he finds himself in. A couple of other reviewers also made valid points when they found it curious that (with the exception of his Iowa drug buddy) he never manages to engage anyone in anything resembling a meaningful conversation to actually get a handle on their mindset (as he did in "In A Sunburned Country' for instance). His interactions with locals are mostly limited to ordering food at local restaurants and asking for directions. He seems perfectly content coming to conclusions about entire groups of people based on no real substance and communication whatsoever.

In this book, sadly, he comes across as nothing more than a sarcastic, anti-social loner with a bone to pick with just about everyone and everything. Any remotely kind words he has about anything (and they are few and far between) are all but smothered by the sour tone of the book as a whole. I SO wish I could recommend this book for others to read, but I'd be lying if I said it's time well spent.

79 of 90 people found the following review helpful.
Young Bryson Can't Match the Mature
By Wayne A. Smith
This is my third Bill Bryson book. Thank goodness this was not my first, for I probably would not have picked up "In a Sunburned Country," and "A Walk In The Woods."
Where Bryson's latest books are droll, witty and endearing, "The Lost Continent" is frequently petty, forced and mean. In this book Bryson travels around 38 states in a beat up Chevette, often through small towns and out of the way places not usually visited by many. He didn't have a very good trip.
Most of this book revolves around the author's put-downs of people he sees and caustic comments about places he visits. After a few hundred pages, the observations seem awfully gratuitous. Where disappointments, angst and difficult people were treated with amusement in his later books, here he often dismisses similar trials here with the brilliant and trenchant observation "FU". Not much authorship in those moments.
Not to say that there aren't some funny passages. Several times on the train, I found myself reading out loud. However, I also found myself speed reading ahead several times, an unfortunate first for a Bryson Book. Bryson's later works also weave a good deal of interesting historical background and place descriptions into the book. That is almost totally missing in this effort.
He occasionally comes up with some awfully good writing. For example, he described driving toward the mountains in Colorado as "driving into the opening credits of a Paramount Picture." (sic). Unfortunately, there are not enough of those moments and instead too many paragraphs describing how he had another bad meal in another bad town with too many ice cream and pizza parlors and not enough ambiance or fetching waitresses to suit his tastes. Bryson has produced much better. But don't let this book (or review) put you off an author whose books can be very satisfying companions. Just go for his more recent stuff.

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Senin, 04 Juli 2011

[H899.Ebook] Get Free Ebook How to Teach Reading Companion Notebook and Cd, by Edward Fry

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How to Teach Reading Companion Notebook and Cd, by Edward Fry

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  • Published on: 1900
  • Binding: Ring-bound

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Minggu, 03 Juli 2011

[O968.Ebook] Free PDF Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards

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Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards

Book by Edwards, Gwynne

  • Sales Rank: #4017650 in Books
  • Brand: Brand: Marion Boyars Publishers Ltd
  • Published on: 2000-07-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.53" h x .73" w x 5.35" l, .61 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
Turning their faces away from Hollywood, except to exploit it as the purveyor of old and recyclable cliches, and towards the ruthless exposure of hypocrisy and repression, the four Spanish filmmakers Bunuel, Saura, Erice, and Almodovar have created a unique and distinctive body of work, making the most vibrant and iconoclastic contribution to twentieth-century film. Gwynne Edwards' Indecent Exposures depicts a world where middle class values collapse, and the facade of good manners, social propriety and the edicts of political expediency and established religion have all been thrown aside. Such cinema classics as Bunuel's Viridiana, Saura's Raise Ravens, Erice's The Spirit of the Beehive, and Almodovar's High Heels (as well as six more contemporary films by the same directors) are analyzed in great depth, their major and minor themes discussed and set against both their social and political context and the concerns reflected in the directors' own lives. -- Midwest Book Review

From the Back Cover
The political turmoil of the Spanish Civil War, together with the attendant cultural isolationism which Franco's repressive regime imposed upon the Spanish people has ironically fostered a strong tradition of subversive film makers dedicated to challenging the assumed realities of the status quo. Intent upon the ruthless exposure of hypocrisy and repression, the four Spanish directors, Bunuel, Saura, Erice and Almodovar have created a unique and distinctive body of work. Gwynne Edwards' Indecent Exposures gives the reader a first-class introduction to ten of their films, depicting a world where bourgeois values have collapsed, and the facades of good manners, political expediency and social propriety have all been thrown aside. Such cinema classics as Bunuel's Viridiana, Saura's Raise Ravens, Erice's Spirit of the Beehive and Almodovar's Women on the Verge of a Nervous Breakdown are all analyzed in great depth, their major and minor themes discussed and set against both the social and political contexts of the time and the concerns reflected in the directors' own lives. Indecent Exposures is essential reading for anyone interested in Spanish cinema; perhaps one of the most vibrant and iconoclastic contributions to this twentieth-century medium.

About the Author
Gwynne Edwards is a lecturer in Spanish at University of Wales.

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Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards PDF

Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards PDF

Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards PDF
Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards PDF