Senin, 28 Juli 2014

[Q217.Ebook] Ebook Free Geotechnical Laboratory Measurements for Engineers 1st edition

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Geotechnical Laboratory Measurements for Engineers 1st edition

  • Published on: 1709
  • Binding: Paperback

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Selasa, 22 Juli 2014

[O293.Ebook] Download Impredecible: La llave de su destino (Volume 3) (Spanish Edition), by Susana Mohel

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Impredecible: La llave de su destino (Volume 3) (Spanish Edition), by Susana Mohel

Por primera vez en mi vida soy libre, pero soy un ave que tiene que aprender a volar con las alas rotas. Rotas por el desamor, por la desesperanza, rotas de soledad. Entonces llega �l y movi�ndolo todo derriba los endebles muros que estoy comenzando a construir prometi�ndome un cuento de hadas, uno que se ve amenazado por la desconfianza, pues yo no creo en el amor y �l no cree en m�. Mi nombre es �ngela Sinclair y esta es una historia de supervivencia al impredecible hurac�n llamado Jack Fenson.

  • Sales Rank: #7830473 in Books
  • Published on: 2015-07-17
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x 1.07" w x 6.00" l, 1.38 pounds
  • Binding: Paperback
  • 428 pages

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2 of 2 people found the following review helpful.
IMPREDECIBLE, COMO EL TITULO QUE LLEVA ESTA NOVELA, ...
By Afy Moreno
IMPREDECIBLE, COMO EL TITULO QUE LLEVA ESTA NOVELA, NO TE DEJAR� INDIFERENTE AL IGUAL QUE NO LO HICIERON SUS ANTESESORAS. A PESAR DEL TEMA QUE TRATA TAN FUERTE COMO LO ES LA VIOLENCIA DOMESTICA. SE ENFOCA EN EL DESPUES, EN EL COMO SALIR ADELANTE DE LA PERSONA QUE VIVIO ESTA VIOLENCIA EN ESTE CASO �NGELA SINCLAIR QUIEN EN SU CAMINO A LA LIBERTAD CONOCER� A UN HURACAN LLAMADO JACK FENSON. TE SORPRENDER�S CAPITULO A CAPITULO COMO SOLO LO LOGR� SUSANA MOHEL. UNA NOVELA QUE NOS MUESTRA LA SUPERACI�N TANTO EMOCIONAL COMO FISICA DE LA PROTAGONISTA.UNA HISTORIA LLENA DE AMOR, MIEDO, DESCONFIANZA Y MUCHAS SORPRESAS.LA RECOMIENDO AL 1000%

2 of 2 people found the following review helpful.
100% RECOMENDADA!
By Ivanna Ryan
Una historia con la cl�sica pluma de una escritora maravillosa como Susana Mohel. Maravillosamente narrada, tocando temas importantes con la suma seriedad y delicadeza. Una historia de amor y superaci�n altamente recomendada, No se la pueden perder. Me encant�!

1 of 1 people found the following review helpful.
Intensa
By Isa Quintin
Impredecible: La llave de su destino (Spanish Edition)
Es la primera historia que leo de la serie y me dej� llevar por el fragmento que ofrece Amazon y algunas otras recomendaciones. Me has gustado la trama intensa en la que se desarrolla. Angela es una mujer totalmente desprovista de amor hasta del propio y es admirable la forma en la que lucha por juntar sus pedazos y empezar de nuevo. Contrario, el vikingo es un hombre decidido que no le teme a nada y eso hace que ella se tome un poco mas de confianza. Me ha gustado, en momentos me parec�a que tanto amor presagiaba tragedia asi que esperaba por ese momento "impredecible" Un final distinto y muy acorde a lo sucedido. Prometo que leer� dese el primer libro para empaparme de algunos detalles que me quedaron en el aire.

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Sabtu, 19 Juli 2014

[P936.Ebook] Get Free Ebook Everyday Life In Babylon and Assyria, by Georges Contenau

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Everyday Life In Babylon and Assyria, by Georges Contenau

“The author of this book is one of the leading Assyriologists of our time, and his mastery of his subject is evident throughout.” ―Arnold Toynbee, The Observer

M. Contenau has chosen to survey the period between 700 and 530 B. C. out of the whole 2600 years of Mesopotamian civilization for two reasons: it is the most representative and more is known about it than any other time in the history of this culture. During these years the Near East was dominated first by the Assyrians and then by the Babylonians, who were to be subdued by the Persians. The everyday life of these people has been reconstructed from a wealth of evidence, both written records of many kinds preserved on clay tablets and the evidence of monuments excavated at such sites as Khorsabad and Nineveh, Nimrud and Asher, Babylon and Susa. “Perhaps the main impression. . .that we carry away from this survey is that the life of an inhabitant of Babylonia in about 600 B. C. must have closely resembled that of any inhabitant of the Orient up to about fifty years ago,” writes M. Contenau. This account of Mesopotamian life is, therefore, pertinent not only to an understanding of the age of Assyria and Babylonia but also to all the civilizations that have succeeded it in that part of the world.

  • Sales Rank: #1152745 in Books
  • Brand: Brand: W. W. Norton and Company, Inc.
  • Published on: 1966-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.00" l, .88 pounds
  • Binding: Paperback
  • 368 pages
Features
  • ISBN13: 9780393003581
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

0 of 0 people found the following review helpful.
Three Stars
By Colbe Moe
Very Dry.

10 of 10 people found the following review helpful.
Excellent source
By Eldar
I actually got the copy from the local library and did not expect much from this book. You know how most of American books on the subject are, bright pictures like in the books for 4-years olds, and about the same intellectual level of content repeating the same shallow stuff about putting cuneiforms onto wet clay tablets with a sharp stick.

Not this book. It's past midnight and I still cannot force myself to put this book down. For my writing project I am interested in the actual details: How did the dress looked like? For a man? For a woman? For a priestess? How rich dress was distinctive from a poor one? What they did first thing in the morning? What was on their feet? How did they wash themselves? The book is rich with these details, and if they show some medival picture, they don't pretend, it's accurate. Or, more precisely, they tell about each illustration how close to the real picture it is, what's right on it, and what's not. O-o-oh... good!

3 of 3 people found the following review helpful.
A Fairly Easy Read
By M. Pickford
It's not exactly brand new, but the author manages to do a fairly good job of putting you in the mind-set of the ancient Mesopotamians. It is not overly long either, so the book managed to hold my interest.

It's arranged topically, everything from religious beliefs to toilet etiquette is covered. Some handy pictures are dotted throughout the text (but not of the toilet etiquette, thank goodness).

Don't buy a book like this if you are new to the subject - you'll probably need *some* clue about Mesopotamia before you pick it up. But for more serious students/amateur historians, I would say it's a handy resource.

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[C201.Ebook] Download PDF Temporomandibular Joint (TMJ) Anatomical Chart, by Anatomical Chart Company

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Temporomandibular Joint (TMJ) Anatomical Chart, by Anatomical Chart Company

This chart defines temporomandibular joint (TMJ) syndrome. It illustrates the normal jaw closed and open, and the nerves of the temporomandibular region. The chart shows and explains common causes and disorders and lists symptoms, disorders sometimes mistaken for TMJ syndrome, and treatment options.

  • Sales Rank: #1265350 in Books
  • Size: Laminated
  • Brand: Anatomical Chart Company
  • Model: ANA9932PL1-5
  • Published on: 2000-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 26.00" h x 20.00" w x .5" l, .88 pounds
  • Binding: Wall Chart
Features
  • Brand New
  • Anatomically accurate
  • Laminated Deluxe Professional Grade
  • Size: 26 in x 20 in

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0 of 0 people found the following review helpful.
Four Stars
By Lyn
Slight, small rips on the edge of the chart as if someone packed it in hard in the tube.

0 of 0 people found the following review helpful.
Five Stars
By Shoecrazy
Very educational chart

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[R463.Ebook] Download Ebook The Answer (Steven Universe), by Rebecca Sugar

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The Answer (Steven Universe), by Rebecca Sugar

Based on an Emmy-nominated episode of Steven Universe!

This heartfelt illustrated picture book by show creator Rebecca Sugar tells the story of two Gems named Ruby and Sapphire as they discover love for the first time on a strange new planet called Earth. Dazzling illustrations from show artists Elle Michalka and Tiffany Ford capture Ruby and Sapphire's wonder and surprise as their story takes a course that fate never planned for them. The Answer�is not only a charming love story, but also tells the origin of Garnet, leader of the Crystal Gems. Garnet's story of self-discovery will be treasured by�Steven Universe�fans of all ages.

  • Sales Rank: #650 in Books
  • Published on: 2016-09-06
  • Released on: 2016-09-06
  • Original language: English
  • Dimensions: 10.50" h x .32" w x 8.50" l,
  • Binding: Hardcover
  • 32 pages

About the Author
Rebecca Sugar is the creator of the show�Steven Universe�on Cartoon Network, and was also a writer and storyboard artist on Cartoon Network’s animated series�Adventure Time. She’s an artist, composer, and director.

Most helpful customer reviews

46 of 46 people found the following review helpful.
We really needed something like this.
By Swank Ivy
I'm one of those embarrassingly huge fans of this show so it was kind of a given that I was going to love this book. But let me tell y'all why it's good and why it's important.

This is Ruby and Sapphire's story of love and freedom. I think we all know that a children's storybook that's about a "she" falling in love with a "she" is bound to get some raised eyebrows in a world that thinks relationships like theirs can never be innocent, but I would prefer not to focus on that much at all. I just want to say that it's so vital that children see these relationships in the same context that they see cross-sex relationships--and it's not JUST so kids who have same-sex crushes and attractions can see themselves and know they can get fairy tale endings too. It's also for the rest of you--and if those of you who aren't queer can imagine growing up with no books about people like you, you might start to get the idea.

But you might not be able to really understand, because you probably CAN'T imagine how devastating it is--when there don't seem to be nice words that describe you, or when futures for people like you don't seem to exist, or when you want to know where you are in the literature people get upset, or when people talk to you like it either doesn't matter that you're invisible or that you're disgusting for wanting that. We want to be in stories because stories are how humanity talks to itself. If we aren't in them, we also learn very young that we don't truly get to participate in human life.

So I want to say thank you to everyone who made it possible for something like this to exist. I'm so happy, but also relieved--and a little exasperated that something this sweet and pure took this long to get here because some people look at it and don't see it for what it it is.

So what is it?

Yes, this story features the beginning of the love between Ruby and Sapphire, though it still doesn't really delve into that. We see very little of their time together. We see them both being sort of in awe of each other--Ruby being amazed that Sapphire would want to be around someone like her when she's an aristocrat and has amazing powers to see beyond time, and Sapphire being amazed that Ruby's courage upended what she thought was inevitable--and we get a peek at the way they look at each other.

What we do see more of is their decision to become a Fusion together--the ability the Gem characters have to meld into each other and become another person who represents their relationship. (But also the new Gem will have her own thoughts and feelings, her own new appearance, and her own attitude built from what her component Gems inspire in each other.) In Sapphire and Ruby's story, I think the Fusion relationship is a unique one--not just because she was the first of her kind in her society, but because the relationship between Ruby and Sapphire is now forever changed by how they feel about becoming another entity together. They will eventually fully love each other, but that love will always be influenced by what they've experienced as a Fusion.

And everything about their relationship is about possibility, opportunity, novelty, freshness, and power. Rubies in Gem society are supposed to be simple soldiers who do what they're told and fight with their comrades. Sapphires in Gem society are supposed to be wise seers who don't let their emotions affect what happens next. When Ruby made a choice that Rubies aren't supposed to make, Sapphire helplessly watched a future develop that wasn't in the plan. And both of them found what they'd rather be instead. I really appreciate that there was such a strong "supposed to" that the characters challenged without quite meaning to, and that leaving what they were accustomed to did cause them some distress. They had to find something new to be now that Ruby couldn't do what Rubies do and Sapphire couldn't do what Sapphires do. They realized there are multiple "supposed to's" for Gems like them, and fusing together into someone who had no "supposed to's" (because she wasn't supposed to exist) must have made it so much more joyous to explore what lay ahead.

The art is pretty special--lots of unsettling images (though nothing too scary), lots of beautiful images, and a different style from the cartoon--it's simplified and stylized, but it still gets plenty of emotion onto those little faces. The backgrounds are lovely as they generally are in the show, and the characters commenting on the text in a meta fashion and talking to each other from little alcoves (Sapphire above, Ruby below) was really powerful. There's narration, but there's also Sapphire and Ruby saying how they felt about what was happening, and expressing opinions about each other's statements and caring about each other's distress. Eventually, they go into each other's chambers, comment on how they feel, and share their perspectives. It seems simple but it's quite a nuanced metaphor and I think a lot of children will understand it despite the complexity.

Speaking of complexity, there are some concepts here that I think render this book most appropriate for people who have context from watching the TV show. The fusion concept isn't presented all that accessibly to new fans, and if you haven't seen the show before you don't know that when Gems' physical form is destroyed, they reform later (if their Gem isn't smashed). You don't get introduced to Pearl even though she's there, and you have no context for the illustration of Blue Diamond (and her Pearl), and even though Garnet is mentioned in the online description of the book, she's not called by name in the story itself (just like in the episode). It's also a little unclear in the book (but not the cartoon) why the other Gems were furious at them for fusing, but I guess the story had to be kept simple. There's also some complex language in the book--vocabulary words children in the target group probably won't see in school for a few more years--but the presentation makes me think they will have context to pick it up. I remember doing that a lot as a kid with children's books that slipped in an advanced word here and there.

I was hoping for a couple things I didn't get, but I don't blame books for not fulfilling expectations they didn't promise to fulfill. I was really hoping to hear a little more about the moment of Sapphire and Ruby's first fusion, because in the show fusion is supposed to be about being on the same wavelength, and it seemed almost incongruous that they could have fused at that moment amidst all that confusion. If they did, they must have temporarily wanted the same thing. I know what Ruby wanted--to save Sapphire--but I would have loved to see a glimpse of Sapphire wanting to be saved rather than just being sort of blindsided by the rescue. I would have been really interested to see more of that moment of escape into their unheard-of spontaneous relationship--the action that changed who they were figuratively and literally (not to mention saving the planet).

The overall package is really precious and looks the way it should--like an age-appropriate, fairy-tale-esque storybook that doesn't have anything strange or inappropriate at all. I can't even imagine reading this to a child and having them stop me to ask "wait, ARE THEY TWO GIRLS??" because it's just so smooth and well told, and the characters' casually presented embraces and nonchalant closeness uses the same cues we'd expect to see on a Disney princess dancing with her prince. It's just Not. An. Issue. Not in the book. Outside of the book, I imagine it will be. I hope the hubbub it creates is primarily positive.

And now, of course, it's made even more clear in this book that Garnet doesn't ask questions in the show because Rose told her not to and she took it quite literally. (She seems to get around asking questions with tricky wording, though, like instead of "What did you see?" she'll say "Tell me what you saw.") If you already ARE the answer, what questions could you need to ask?

And I've got to say Rebecca Sugar dedicating the book to Ian Jones-Quartey is really sweet.

6 of 6 people found the following review helpful.
Gay kids books make me so very happy
By Jessica
OMG I pre-ordered this and me and my GAY WIFE just SQUEALED WITH JOY when it arrived! The book is so cute, at the top Sapphire has a box and Ruby has one at the bottom and they give little comments throughout the story from their own perspectives. I love it when everything changes and Sapphire can't see the future anymore! and I'm proud to have a book like this in my collection as a gay mom with a kid! I want him to see so much variety in love! Also the book is larger and thicker than the typical "little golden book" style.

5 of 5 people found the following review helpful.
This book is so beautiful, honestly
By the captain
This book is so beautiful, honestly. My favorite part about the book is that Ruby and Sapphire show up on the top and bottom of every page and as the story progresses, both end up leaving their boxes and moving around and fusing, it's adorable! I thought this would be more of the size of the typical little golden books but it's bigger than I thought which is awesome. The art direction is incredible and new and refreshing (much like Ruby and Sapphire's fusion) and it's definitely a unique book in its own right. A must have for any fan.

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Rabu, 16 Juli 2014

[G565.Ebook] Download PDF How the Brain Works, by Mark Wm. Dubin

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How the Brain Works, by Mark Wm. Dubin

Not just another standard introduction to neuroanatomy, How the Brain Works is an innovative and fun way to learn about the function and dysfunction of the central nervous system, as explained in nine easy-to-understand "lectures."


This exciting new addition to the "How it Works" series does away with the use of exhaustive details and tedious definitions to provide an understandable and scientifically sound overview of the human brain. This book is neither an outline nor a summary, but an informal approach to the relationship between physiology and manifest behavior, including all essential elements covered in most courses.

Students will find this book to be the perfect introduction to their neuroscience courses, as well as a quick review for exam. Professionals will enjoy the way in which this complex topic is addressed in a simple and straightforward manner, and the general reader will satisfy a basic curiosity about the brain and its role within the central nervous system.

  • Sales Rank: #2172270 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2002-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.84" h x .59" w x 3.94" l,
  • Binding: Paperback
  • 136 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

6 of 6 people found the following review helpful.
Very Basic Overview of Neurobiology Concepts
By Indoctorinated
Compared to the other books in the "How it Works" series, this one wasn't quite as good. I tried reading it before my medical school neuroanatomy and neurobiology course and found it to be very frustrating going. I don't think most people can easily get through this book if they have no background in neuro at all. After I finished my course, I re-read the book, and this time I was able to get all the way through it. Of course, it was a lot more basic than what I had learned in school, but it still helped me to review the neurobiology concepts we had covered. There is not much of a neuroanatomy review in this book, however, so you'll have to get a different book if you want to review brain anatomy, spinal pathways, etc. The things that I did like about the book are its short length, the illustrations, the interlude sections, and the author's conversational writing style. I would recommend reading this book during or right after a neurobiology course to help solidify the concepts, but not as a layman's first introduction to the subject.

1 of 1 people found the following review helpful.
Quick Read
By Elizabeth T. Terris
This is a great book for those who are not up to date on their neuroscience. Easy to understand and a fast read. Too bad they won't make more copies. It really is a good book. I know some classrooms still use it to this day!

0 of 0 people found the following review helpful.
Great customer service,thank you!
By Sherron Lee
I have a son with a traumatic brain injury so I am trying to learn more....this is great for those of us with no medical background!

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Selasa, 15 Juli 2014

[W658.Ebook] Download Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

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Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

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Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

In this wide-ranging anthology, Beat scholar Ann Charters brings together more than seventy-five essays, reviews, memoirs, poems, and sketches that evoke the credos and the controversies surrounding the Beat generation writers of the 1950s. Charters includes discussions of all the major Beat figures-Jack Kerouac, William Burroughs, Allen Ginsberg, Neal Cassady, Diane di Prima, Gary Snyder, and many more-from commentaries by the Beats themselves as well as by such writers as Henry Miller, William Carlos Williams, Mary McCarthy, Joyce Carol Oates, Tom Wolfe, Grace Paley, and Henry Louis Gates, Jr.. Charters also explores the humorous side of the Beat generation, its place in post-war American culture, and the contribution of the important women authors who also wrote Beat.

  • Sales Rank: #733412 in Books
  • Published on: 2001-06-01
  • Released on: 2001-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.45" w x 5.34" l,
  • Binding: Paperback
  • 744 pages

From Publishers Weekly
For a fresh take on an often simplified historical moment, look at Beat Down to Your Soul: What Was the Beat Generation? in which Ann Charters has assembled some obscure and some familiar material by and about beatniks. In a letter to poet and critic Richard Eberhart, Allen Ginsberg says, "I was flattered... by the idea of recognition but really didn't agree with your evaluation of my own poetry," and explains, for 11 pages, his aesthetic and social intentions. Henry Louis Gates Jr. explores how writer Anatole Broyard, whose essay "A Portrait of the Hipster" appeared in the Partisan Review in 1948, passed as white early in his career in New York. Diane di Prima's piece about her newsletter with LeRoi Jones, Floating Bear, evokes the excitement of the early '60s East Village poetry scene.

Copyright 2001 Cahners Business Information, Inc.

About the Author
Ann Charters has had a thirty-year involvement with Beat literature. She was the editor of The Portable Beat Reader, The Portable Jack Kerouac, and two volumes of Jack Kerouac Selected Letters. She teaches at the University of Connecticut in Storrs.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Excellent Anthology
By Dr. Rico
I've always admired Charters work concerning the Beats . It's scholarly and entertaining at the same time. Back in the sixties, if you asked an English professor why Beats weren't covered in the textbook ,you'd probably get a sideways look of disdain. If I were teaching a course on American Lit today, this would be mandatory. Some of the source material has been more or less unobtainable which makes this a true goldmine. It always seems like the Beat movement as a literary topic has been pretty much exhausted, but Ms. Charters has proven that not to be true.

1 of 2 people found the following review helpful.
beat down to your classroom
By A Customer
This anthology has some interesting material, particularly the excerpts from the "beats" themselves and the panel discussion of "beat women" at the end. But it leaves out some of the most interesting beats (Philip Whalen, Lew Welch, Kirby Doyle, Lenore Kandel, Richard Brautigan, Albert Saijo etc.) while larding the fat volume with writers who just boringly interpreted or reviewed the beats (Joyce Carol Oates, Alfred Kazin,Mary McCarthy etc.), who were irrelevant to the beats (Anatole Broyard, Jack Spicer, john Updike etc.), or who secretly disliked or openly hated the beats (Norman Podhoretz, William Carlos Williams, Diana Trilling, Kenneth Rexroth etc.) Not really much soul in that. What's the point of making academic hay out of the most anti-academic writers of the 20th century? Well of course the point is--making academic hay, in this case by an author who doesn't seem to care much for the beats herself. Like what F.Scott Fitzgerald said about his Princeton poetry professors who really hated poetry.

2 of 2 people found the following review helpful.
Realistic
By Mary K
Realistic analysis of the Beat Generation. Studing this subject for a college course and found the book helpful. Thanks for asking

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Minggu, 13 Juli 2014

[B962.Ebook] Fee Download Bread: A Baker's Book of Techniques and Recipes, by Jeffrey Hamelman

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Bread: A Baker's Book of Techniques and Recipes, by Jeffrey Hamelman

An updated new edition of the essential resource for professionals and seasoned home bakers

Hailed as a "revelation" when it first appeared in 2004, Jeffrey Hamelman's Bread is a legendary resource praised by baking luminaries from around the world. Explaining complex techniques with simple and helpful illustrations, the book includes recipes for a vast array of breads, including sourdoughs, brioche, authentic rye breads, flat breads, French breads, and much more.

  • Features nearly 150 detailed, step-by-step recipes, along with vivid drawings and photographs showing techniques and finished products
  • Written by Jeffrey Hamelman, one of fewer than 200 Certified Master Bakers in the United States and a recipient of the Golden Baguette Award (2005), the highest honor bestowed by the Bread Baker's Guild of America
  • Fully updated to include the latest techniques, methods, trends, and bread varieties

Whether you're an aspiring or practicing professional baker or a dedicated home hobbyist, Bread is the ultimate resource for almost any variety of bread you can imagine.

  • Sales Rank: #12242 in Books
  • Brand: Brand: Wiley
  • Published on: 2012-12-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.50" w x 7.70" l, 2.68 pounds
  • Binding: Hardcover
  • 496 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Recipe Excerpts from Bread: A Baker's Book of Techniques and Recipes by Jeffrey Hamelman Ciabatta with Stiff Biga
(Click for recipe) Flaxseed Rye with an Old Bread Soaker
(Click for recipe) Grissini
(Click for recipe)

From the Inside Flap

When Jeffrey Hamelman's Bread was first published in 2004, it received the Julia Child Award for best First Book and became an instant classic. In this updated edition, Hamelman covers the gradual evolution of the craft, adding 40 new recipes and incorporating the important technique of hand mixing.

Hamelman, a professional baker for more than three decades, was a member and captain of Baking Team USA, which represents the United States in the international Coupe du Monde de la Boulangerie, the World Cup of bread baking. Here, he shares this experience while putting world-class artisanal loaves within reach of any serious baker. Opening with a comprehensive overview of the foundations—essential ingredients; hand techniques for kneading, scoring, and shaping; and the basic process from mixing through baking—he guides bakers through all the elements of this richly rewarding craft.

Bread contains 140 detailed, step-by-step recipes for a vast array of breads—versatile sourdough ryes; numerous breads made with pre-ferments; and simple, straight dough loaves. Recipes for brioche, focaccia, pizza dough, flat breads, and other traditional staples augment the diverse collection of flavors, tastes, and textures. You will discover a bread for every season and every palate, including recipes new to this edition, many for underappreciated delights like Swiss Farmhouse Bread, German Farmer's Bread, and Baguettes de Tradition.

Each recipe clearly outlines the key stages, with easy-to-use charts that list ingredients in both American and metric measures, quantities appropriate for home baking, and baker's percentages. Hundreds of drawings vividly illustrate techniques, and handsome color photographs display finished breads. Sidebars accompany each recipe and section with valuable tips, from the subtle art of tasting and evaluating breads to the perfect fare to complement Vollkornbrot. A complete chapter on decorative breads—with instructions on techniques as well as a wide variety of exquisite patterns—will inspire magnificent display creations.

Laced throughout the book, Hamelman's personal narrative offers a compelling portrait of a lifelong love affair with bread and vividly communicates the passion he shares with so many other bakers. For those seeking to share a dialog with a real master, Bread is a resource that you will use time and time again.

From the Back Cover

"Bread is worthy of high praise, from the generous number of recipes to the scientific discussions on pre-ferments. I wish that I had this book to guide me when I started my life as a bread baker 42 years ago. The author's sensibility toward bread and his attitude as a bread baker are evident throughout this book."
—Toshio Nihei, Advisor, Donq, Japan

"Bread is the masterwork of bread baking literature. It guides us through the journey that harvested grains make from the milling process to their subsequent interaction in the bakery environment with other ingredients and in the baker's hands, the transformations that take place within the environment of intense oven heat, and up to the final loaves' eventual cooling on racks."
—Jim Haas, Baker, AgroEast Baking & Milling Co., Ukraine

"Jeffrey's book is an ideal companion in the kitchen. He invites novice bakers to explore the world of bread baking with confidence, building a solid foundation of process and understanding of principles of fermentation and yeast dough production. His clear explanation of challenging ingredient functions and food science are key stepping stones for professionals improving their skills. This book includes inventive and delectable formulas and illustrative graphics that clearly walk the reader through shaping steps."
—Milina Podolsky, Instructor, Kendall College, Chicago, Illinois

"This new edition of Jeffrey Hamelman's book brings to light a great diversity of artisan bread making methods. Readers will discover an anthology of recipes from the French, German, Italian, and Swiss traditions, patiently reconsidered and shared with great generosity. It is a milestone in American bakers' increasingly serious approach to artisan baking. With her wonderful drawings, Chiho leads the reader to an easier understanding of hand skills. This landmark book enables both home bakers and experienced professionals not only to make breads of the highest quality, but also to guide them to a thorough understanding of the keys to success."
—Hubert Chiron, Institut National de Recherche Agricole (INRA), Nantes, France

"Jeffrey Hamelman has taught and influenced an entire generation of bakers. With his latest contribution, he shares his uncompromising, exacting methods, love for bread, and noble labor, along with the will to never stop learning and improving. This book is a gift to the world of artisan baking."
—Markus Farbinger, Owner, �le de Pain, Knysna, South Africa

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32 of 32 people found the following review helpful.
But for the types of European breads I happen to like, it's the perfect book
By jmk
As an experienced home baker, this is the only book I've chosen to buy. I absolutely wouldn't say it's the be-all-and-end-all of baking; it's no "bread bible". But for the types of European breads I happen to like, it's the perfect book.
There are no gimmicks here. Hamelman doesn't have some new method with each book (like Reinhart), he doesn't hold your hand (like Barenbaum). Just good core formulas and practical baking techniques. The critics are all correct when they note: the mixing times are for professional bakers and you have to double them for home; the moisture content can be off at home; the flour protein is not specified; you have to scale down for home use with a calculator; general hints are hidden in obscure places rather than highlighted for general use. He also leaves out many hand-holding steps he assumes you know. In other words, you pretty much have to make each of his recipes your own. That alone is why I can't recommend this book to the average home baker, especially a beginner. (Berenbaum's Bread Bible much better for beginner's.)
But for the experienced home baker who already knows their way around dough feel, knows how to adjust hydration. salt, and yeast and sourdough fermentation times, this book is rock solid. Many classic formulas here, and once you get his thinking you can extrapolate many more.
Most of the people I know who love this book end up adapting the recipes to their own tastes. In other words, Hamelman gives you an excellent starting point for many classic European breads. That is why I bought it. I have tons of recipes on my harddrive, but for a paper volume this was it.
It's important to note Hamelman's training and tastes lean heavily toward German breads. You wouldn't guess that from the title or that he works for King Arthur. So you won't get "irish soda bread" or "anaconda bread" or many American classics. Heck, he barely has a classic white sandwich loaf here! Instead you'll find Sunflower seed bread, flax rye, vollkornbrot, pumpernickel, scalded rye. He also favors multigrain whites, with six different recipes for that in different forms. Those happen to be my favorite types of bread; but I wouldn't call that typical.
Last criticism: not well bound. I already have pages falling out after a couple uses. No excuse!
In short: Good book for core formulas for European (especially German) breads. No handholding for beginners, and no complex discussion of dough handling for experts. For those purposes I'd recommend a couple other books to augment this excellent resource.

316 of 373 people found the following review helpful.
Deep Repertoire, Steep Learning Curve
By Rick
The other day, I read a review on another website which concluded that the Amazon reviewers who criticized the first edition were largely inexperienced home bakers incapable of appreciating recipes by a certified master baker. Thus, I trust prospective customers will realize the necessity for sufficient critique.

Commercial bakers are the primary audience of this book, although there has been an attempt to enlarge its scope to include home bakers. I purchased the first edition in 2010 through Amazon, and my review of the first edition is still extant. I'd been baking for about ten years at the time of my first purchase, and I wanted to take my ability to a new level. Because there are some important omissions in the first edition, I later purchased the second edition hoping that I would find it improved.

Let's begin with the first oversight: flour protein level. Early in the book, Hamelman writes, "When working with any bread formula, it is important to know what kind of flour is used, and its protein level. When making substitutions or when trying out new flours, adjustments in hydration are very often necessary" (p. 34). That sounds good enough, except by the time the recipes begin in chapter 4 (about 90 pages into the book), he has not ever stated what to use. So, the home baker wants to jump in and make some recipes--and they have to guess. I love the clarity with which Nancy Silverton writes in her section on white flour, "The white flour I use at the moment is blended from hard winter wheat and dark hard northern spring wheat, and has a protein content of 12.5 percent" (Breads from the La Brea Baker, p. 6). Rose Levy Beranbaum even provides the "Approximate Range of Protein in Nationally Available Flours" on p. 550f of "The Bread Bible" to make shopping easy for the home baker. "Amy's Bread" (Revised & Updated, 2010) does an outstanding job of prominently noting protein information in the Tips and Techniques section for most of the recipes, along with providing a "Flour Protein Comparison Chart." Amy Scherber's book is published by John Wiley & Sons, Inc.--the same publisher as Hamelman's book--except that they had different editors.

Now, let's suppose the home baker wants to make the first recipe in the book called Baguettes with Poolish (p. 92). So, the home baker travels over to the local supermarket and stares at the shelf of flour choices. "Let's see. Hamelman works for King Arthur Flour. Here's a bag of King Arthur Unbleached Bread Flour. The recipe calls for `bread flour.' That'll work. Problem solved." As it turns out, our home baker has made a poor choice because this flour is too high in protein level to make good baguettes with. It's not really "problem solved" but rather "problem created." It was unfortunate that the first edition of this book lacked protein specifics, but to repeat the same exact omission in the second edition is really unfortunate--an opportunity lost. This hindered my progress, and quite some time passed before I got around to working in the levain breads section later in the book (chapter 5, p. 146) where Hamelman does indeed specify a protein level for those particular recipes that call for "bread flour." Using protein information from King Arthur, I concluded that Hamelman wanted home bakers to use King Arthur Unbleached All-Purpose Flour when he specifies "bread flour" for the levain breads. Given the lack of other instructions, it's likely that this also applies to other sections of the book. In my judgment, recipes have turned out better since the time I switched. To confirm, there's an excellent discussion of this problem on The Fresh Loaf website called, "Hamelman's `Bread Flour' vs. `High-Gluten Flour'" by some bakers who have taken classes at King Arthur using recipes from this book and are acquainted with Hamelman. I just found this discussion while writing this review, but it began back on December 24, 2009.

The author's dough shaping skills are exemplary--in fact, they are as good as it gets--and there are many beautiful pictures to prove it. My goal in working with this book is to try to take away as much as possible regarding dough feel and handling. King Arthur says that its bread flour substitutes for all-purpose flour with the addition of about two teaspoons of water per cup because bread flour is relatively thirstier. Without this adjustment, it will result in stiffer dough; hence, it is imperative to get the flour protein level correct. King Arthur also says that Professor Raymond Calvel, who wrote the foreword for this book, performed a blind taste test on American flours and pronounced that King Arthur All Purpose Flour is the best choice for baguettes.

You are probably wondering why I just didn't look in the index. Good question. I did. It turns out that the index does not include the particular page in the levain bread section which specifies the protein level. So, if you look under "Flour / protein level in" or any of the sub entries under "Protein in Flour" it does not include that page. This index is not as complete as it needs to be. If you decide to work with this book, then I strongly suggest that any time you come across important information that you either create your own topical index from scratch (which I do myself) or you verify that the entry actually exists in the book's index--because it can be very frustrating to retrieve information you remember reading if it has not been indexed, and sometimes, helpful information is hidden in recipes outside of the main presentation of the book.

There was an errata sheet for the first edition, and we are to understand that they have gone over the recipes with a fine-tooth comb. I think they made a good faith effort. Many things got fixed in the second edition, but they did not catch entirely everything. Please turn to Five-Grain Bread on p. 281. You will note that the overall formula calls for .26 oz of instant dry yeast. There's no yeast used in the soaker, but the final dough calls for .8 oz. How do they account for this discrepancy? If the home baker does not notice this and uses the wrong number, then there's a problem. The errata sheet for Feb. 2011 contained an entry for the method of developing a liquid levain culture that is used in many recipes in the levain breads chapter. This was only partially corrected in the second edition (pp. 427-8). I used the still uncorrected amounts in the home baker's column for quite some time before I checked the math and discovered the mistakes. This impacted my results. As a general practice, I recommend that you verify the math in a formula before baking it. I do not think you will find a lot of major mistakes, but I do have some other concerns about their handling of numbers, including rounding.

This book emphasizes proper weighing of ingredients. Hamelman writes, "Cups and tablespoons are inherently inaccurate, and serious home bakers should buy a good scale" (p. 82). His recipes use baker's percentages where "each ingredient in a formula is expressed as a percentage of the flour weight, and the flour weight is always expressed as 100 percent" (p. 442). Unfortunately, Hamelman's handling of numbers while scaling the commercial formulas into smaller portions for home bakers has not been done carefully enough. Please turn to the first recipe in the book, Baguettes with Poolish on p. 92, and let's verify the yeast weight in the overall formula remembering that the yeast % is actually fresh yeast for the convenience of the professional bakers and must be converted to instant dry for the home bakers (see p. 48 if you don't already have this conversion committed to memory): 2lb flour weight x (16oz/lb) x (0.011 fresh yeast weight/flour weight) x (0.33 instant dry yeast weight/fresh yeast weight) = 0.1162 oz which they have rounded up to 0.13??? That's odd. I never learned rounding like that. Now, take a look at some other recipes all based on the same 2 pounds of flour and all specifying the very same 0.13 oz of instant dry yeast. Remember that these baker's percentages are in fresh yeast for commercial bakers: we have 1.25% for Baguettes with pate Fermentee (p. 94), 1.2% for Ciabatta with Stiff Biga (p. 96) and 1.3% for Whole-Wheat Bread with a Multi-Grain Soaker. It's like someone decided to take the easy way out and made a chart of range conversions instead of doing the math for each formula. So, if the fresh yeast percentage is between 1.1% and 1.3% then the home bakers are to use 0.13 oz of instant dry yeast. If you study recipes in the breads with yeasted pre-ferments section you will also notice they did the same thing for 2 lb. formulas calling for between 1.5% - 1.7% fresh yeast which all use the same 0.17 oz of instant dry yeast. When I was first learning baker's percentages from this book, I found it very confusing to find that some yeast quantities in the home baker's column were not arrived at by the method taught in the book. In any case where you discover a discrepancy, you will have to determine if it is significant enough to merit correcting.

Crackers and Flat Breads (p.364) is a new recipe which illustrates the problem of rounding off ounces to one decimal place in a recipe containing a small ingredient such as a spice. The recipe for home bakers is based on 5.2 oz. of flour and calling for 1% toasted cumin. So, here's the math: 5.2 oz. x 0.01 = 0.052 oz.--which has been rounded off to 0.1 oz. In other words, the rounding to one decimal place has resulted in almost doubling the amount of toasted cumin for the home bakers.

For some time, my impression has been that some of the recipes could use more salt. Since I'm not going to be able to bake a loaf for you over the internet, the only way I can describe what I've learned from looking into this issue is to do more baker's math for you. A part of this problem arises from the fact that they round off the salt in home recipes to one decimal place--an inconsistent practice considering that they use two decimal places for yeast. Hamelman writes, "Generally, the correct amount of salt in bread dough is 1.8 to 2 percent of salt based on flour weight (that is, 1.8 to 2 pounds of salt per 100 pounds of flour)" (p. 44). For home bakers, Hamelman often scales recipes to 2 pounds of flour. When you do the math, this means that 1.8% salt would be 0.576 oz while 2.0% is 0.64 oz.--both of which round off to 0.6 oz. There are numerous examples throughout the book of recipes where this rounding off has taken place. For home bakers, the rounding off of the salt means that you will not be able to experience the subtleties of his salting as you are effectively baking all of these recipes at 0.6 oz salt weight / [2 lb flour weight x (16 oz / lb)] = 1.88%. Clearly, this was not his intent, but they did not think this issue through enough before deciding to round off the salt to one decimal place. The remedy is for you to redo the math on any recipe that you make if you want to experience the subtleties of Hamelman's recipes. "The Fundamental Techniques of Classic Bread Baking" by The French Culinary Institute has adapted several of Hamelman's recipes for use in their book and they also offer grams, which is a superior choice over rounding ounces to only one decimal place. For home bakers, it may be in your best interest to simply redo the entire recipe in grams using the baker's percentages.

Question: Why does this review have to be so long?

Answer: The author has justifiably achieved a high standing in the bread baking field, but teaching this subject though a book is not a trivial subject. My review is as long as it has to be to cover what I feel needs to be said, and my experiences may help shorten the learning curve of others. If you understand my review, then you should be able to understand the book--and bake from it successfully. In the preface to the first edition of "Brother Juniper's Bread Book," author Peter "Reinhart writes, "With pen in hand I...pray for your patience, and goodwill, and most of all, for good results." Said a little bit differently, with patience and goodwill you can learn to achieve excellent results with this book.

Hamelman offers seven different formulas for French Baguettes. I can't think of another author who even comes close to that amount! All seven of these recipes have salt in the range of 1.8 to 2%. It's helpful to mention some other prominent authors whose use of salt is in a very different range. Julia Child's famous recipe for Plain French Bread (Pain Francais) which she worked out with the assistance of Professor Raymond Calvel is approximately 2.9% (see "Mastering the Art of French Cooking" by Julia Child and Simone Beck, volume two, p. 57). Elizabeth David's general preference for salt in bread is upwards of 3.13% (see "English Bread and Yeast cookery," p. 120), and James Beard's taste is in the same range (see "Beard on Bread," pp. 22 and 28). One of the advantages of using baker's percentages is that it makes it very easy to adjust a single ingredient such as salt to suit your preferences. The layout of the baker's percentages in this book is very easy to understand compared to other books that I've used. As this particular style takes up more space on the page, it demonstrates a positive commitment from the publisher towards readability of the formulas. Working with baker's percentages is definitely a skill that you will value having learned from this author.

There is a Baking at Home section, but it is only marginally improved in the second edition. It talks about baking on stones, for instance. Many authors focusing on home bakers will also include information on La Cloche bakers. I've had some success particularly with the rectangular La Cloche for some of Hamelman's recipes. This section is only two pages long and could have been more robust, particularly given the varying performance of home ovens. Bake times and temperatures are for commercial ovens, and it is well for you to have reasonable expectations regarding how well you expect this information to work with a home oven before you add this item to your shopping cart. This has required more of my time than any other challenge presented by this book despite the fact that I believe my oven to be correctly calibrated!

The dividing and shaping information is casually thought out for home bakers. Bagels (p. 328) is an example of a recipe based on 3lb 3.5 oz of dough which is expected to yield 13 bagels, and the instructions call for dividing into 4 oz pieces. This is physically impossible even if you could scale exactly to 4 oz because 13 x 4 oz requires a minimum of 3 lb 4 oz to begin with. In reality, you will want to have some extra dough to work with to avoid having to reuse tiny cutting scraps. There is an excellent discussion in Daniel T. DiMuzio's "Bread Baking: An Artisan's Perspective" (p. 36) suggesting a 5% cutting loss as a starting place until you know your actual loss. Hamelman does teach how to scale a recipe properly, allowing you to adjust recipes.

Mixing times are for commercial-type spiral mixers, but some general guidelines are provided to assist home bakers using KitchenAid type stand mixers to adapt this information. Generally speaking, these guidelines have worked pretty well for me with only a few exceptions. In these cases, I needed to study similar recipes from a variety of sources until I was able to figure out what went wrong in the mixing process.

The repertoire of breads is primarily European artisan of the French, German and Italian traditions. The book features a lot of recipes with seeds and grains that I have enjoyed baking and are worth studying. Despite working for King Arthur, a long-standing American company in Vermont, Hamelman has very little interest in North American tradition nor regional favorites from the northeast such as Portugese Sweet Bread, Boston Brown Bread, or Anadama Bread. The repertoire of whole-rye and medium rye breads is especially distinguished, appealing, and tasty. Lovers of sourdough rye bread should find this book to be a must-have. Although, regarding baking with white rye flour, Hamelman writes on p. 42, "White rye flour has little in the way of flavor or color, and is generally a poor choice in bread making." White rye is often used in Eastern European traditions. Therefore, I would qualify Hamelman's repertoire as being "select European artisan." Within this focus, there is a strong repertoire of variations.

One of the best features of this book is the shaping and handling information. There is also a strong presentation of braiding techniques, as well as decorative dough projects. The book features beautiful line drawing illustrations by the author's wife. I have uploaded some customer images for viewing. These pictures were originally uploaded with captions including favorable comments pointing out various features of the book. Amazon has since changed it's method for displaying picture galleries, and the captions have subsequently been lost.

There are some recipes found herein that both put a smile on my wife's face and that I really value having in my baking repertoire--but I have had to persist through some unnecessary challenges. Current family favorites include the Roasted Potato Bread with Chives (p. 111), Corn Bread (p. 143), and the sourdough rye chapter in general. I am especially grateful that the author introduced me to the Detmolder 3-stage method of rye production (p. 216). This book is particularly suited to professionals and advanced home bakers. I do not recommend this book to new bakers. I bake from the book cautiously, with calculator in hand, having verified the math beforehand. This book is also very useful as a reference book. The author has a lot to offer in terms of baking expertise and delicious recipe offerings, and the journey has been worthwhile despite its challenges.

31 of 34 people found the following review helpful.
Wonderfully Informative
By drips
I've only been baking bread for a short while but very quickly learned that leavened bread is a different beast than anything I've cooked before. There is a lot to learn and many ways you can make yourself an unimpressive bread. If you want to gain an understanding of all that happens when you create a loaf you need some good education. This book fits the bill. I also have Peter Reinhart's Bread Baker's Apprentice which is great but doesn't go as deeply into the science, mechanics, etc. of working with yeasted dough as Bread. Both books are great though.

If you are serious about getting into bread you should also check out some online resources like blogs and forums (The Fresh Loaf being my personal favorite). Once you start baking you'll be amazed at how many questions you have.

One complaint though: Home recipes aren't given in metric!

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Fountas and Pinnell Benchmark Assessment System 2, Grades 3-8, Levels L-Z, by Fountas & Pinnell

  • Sales Rank: #391714 in Books
  • Published on: 2008
  • Binding: Spiral-bound

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